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Great Wall Institute: The Process of the Great Wall of Los Angeles Main Menu Research of the Decades Research 1960s Illustration Development Illustration Development Playlists of the Decades Playlists Great Wall Institute - Social and Public Art Resource Center (SPARC)

Interview of Emory Douglas 2023

1 Mural Artist Erin Yoshi and the SPARC team interview - The former Minister of Culture and Revolutionary Artist for the Black Panther Party. Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century’s most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party’s newspapers, each issue marked by the artist’s bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage. SPARC Interviews Research

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SPARC Interviews sparcinla.org
Contents of this path:
1. Interview of Kent Wong conducted at SPARC Kent Wong is the director of the UCLA Labor Center, where he teaches courses in labor studies and Asian American studies. He previously served as staff attorney for the Service Employees International Union. He was the founding president of the Asian Pacific American Labor Alliance and of the United Association for Labor Education and is currently vice president of the California Federation of Teachers.
2. Interview of Professor Darnell Hunt - Conducted at SPARC
3. 2022 Interview or Patrisse Cullors
4. 2022 Interviews of Senator Durazo and Reverend Lawson
5. 1960s - Native American culture, community, and social movements in the 1960s
6. 1969 Killing of Bunchy Carter & John Huggins UCLA
7. 1982 “Nightwatch in Los Angeles" - The Great Wall of Los Angeles by Judith F. Baca
8. 1988-2003 SPARC Neighborhood Pride Mural Program
9. GWALL ALUM INTERVIEW - Kelly Watts Williams
10. Interview of Emory Douglas 2023 Mural Artist Erin Yoshi and the SPARC team interview - The former Minister of Culture and Revolutionary Artist for the Black Panther Party. Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century’s most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party’s newspapers, each issue marked by the artist’s bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage.