This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Great Wall Institute: The Process of the Great Wall of Los Angeles

1960s The Watts Renaissance

This page has paths:

Contents of this path:
2. 1965 Budd Schulberg (center) and members of the Watts Writers Workshop
3. 1965 First Watts Festival, boys climbing a tall chainlink fence First Watts Festival - After the revolt, Central Los Angeles, California, 1965. A black-and-white photograph of approximately twenty boys climbing or attempting to climb a tall chainlink fence. Joe Schwartz, Folk Photography: Poems I've Never Written (2000), 39.3. The Watts Summer Festival was founded by community activist Tommy Chaquette, whose shrewd organizational skills helped make this event a success (https://www.marquette.edu/haggerty-museum/documents/watts_catalogue.pdf).
4. 1965 Watts Renaissance
5. 1965 Watts Writers Workshop
7. 1968 Watts Summer Festival Parade Watts Writers Workshop Float
8. 1985 John Outterbridge with a group of students at the Watts Towers Artist John Outterbridge (right), director of Watts Towers Art Center, seen with a group of students, from the El Segundo Center St. Elementary School, who are touring the Watts Towers. Photograph dated March 22, 1985. Outterbridge began teaching at the Watts Towers Arts Center in the mid-1960s. He became director of the arts center in 1975. Beginning in the 1960s, Outterbridge and other artists sought a new visual language to express the African American experience, one that did not depend solely on representation. Assemblage, coupled with the move toward abstraction, allowed such artists to work through themes and ideas that concerned them without having to fall back on visual types. For Outterbridge, the exploration through art of his heritage, his struggles, and his past intersected with his interest in community activism. (https://hammer.ucla.edu/now-dig-this/artists/john-outterbridge)
Contents of this path:
2. Watts Rebellion Illustration (9.2022) Initial thumbnail sketch by Kim Martinez "I wanted to get you these ideas for the Watts section of course I have not put a lot of energy into a complete drawing but these will give you an idea of what I am thinking. #1 Historically is not accurate but I liked the visual of the cops surrounding them as they are being pulled out kind of hard to see but the figures on the left in the car is the woman trying to hold back the man as the cop pulls. #2 After they have all been pulled the two kneeling on the ground is painful and humiliating, but also has a praying feel to it. #3 The figure on the ground is the female, not sure if I like that, but could easily be changed to a male and she could be pulled out instead of the male, finally the last male is already out being carried away. I think they all have a temporal feel to them."