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Great Wall Institute: The Process of the Great Wall of Los Angeles

1965 - 1975 Chicano Movement

Key years were 1965-1975 - In the 1960s, a radicalized Mexican-American movement began pushing for a new identification. The Chicano Movement, aka El Movimiento, advocated social and political empowerment through a chicanismo or cultural nationalism. As the activist Rodolfo “Corky” Gonzales declared in a 1967 poem, “La raza! / Méjicano! / Español! / Latino! / Chicano! / Or whatever I call myself, / I look the same.”

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2. 1965 - 1975 Chicano Movement Key years were 1965-1975 - In the 1960s, a radicalized Mexican-American movement began pushing for a new identification. The Chicano Movement, aka El Movimiento, advocated social and political empowerment through a chicanismo or cultural nationalism. As the activist Rodolfo “Corky” Gonzales declared in a 1967 poem, “La raza! / Méjicano! / Español! / Latino! / Chicano! / Or whatever I call myself, / I look the same.”
7. Murder of Crows: The Ending of Jim Crow (2022) Drawing of crow and psychedelic sky by Kim Martinez. I have worked on the first panel and these are very rough sketches to give us an idea of the figure ground relationship. I used hippy chick grounds and they have a bit more of a cartoony effect if you want them more serious I think we need to go with a ground that is less happy decorative as per the middle drawing where the birds are coming out of the linear elements of the ground, I think it also says something a little more conceptual too. Of course these will require a lot more work as far as setting up to draw and I would do much bigger than a few inches tall.
9. Plantation Capitalism drawing By Rio Diaz (2022) Drawing for 1960s decade inspired by the Citrus produce Boxes The rays of the sun outstretch the long arm of the Plantation Gov. House through time. The power of sun rises throughout time. Rolling hills, highlight the evolutionary waves of crops and bondage Sacrificed labor force - men women and children Native peoples collapse under the unsustainable brutality of abuse and workload - their enslavement is taken up by the next wave of slave labor. African slaves - harvest/produce cotton as well as more slaves – represented by a baby in basket of cotton; a mother straps her baby on the back of her older child, so they both can continue working. A man is dehumanized by whippings, his wounds are tended to by the cotton he’s destined to forever harvest. Latin American labor force is sacrificed on the cross-looking vines – their legs become the trucks of the vine, to illuminate their entrapment; while their hunched bodies will be part of the vine that is fed by their blood and sweat - destined to produce till they die.
11. 1969 Woodstock
21. Eagles at her call - Inspiration for Jim Crow by Kim Martinez
23. Watts Rendered Drawing by Kim Martinez - I wanted to get you these ideas for the Watts section of course I have not put a lot of energy into a complete drawing but these will give you an idea of what I am thinking. #1 Historically is not accurate but I liked the visual of the cops surrounding them as they are being pulled out kind of hard to see but the figures on the left in the car is the woman trying to hold back the man as the cop pulls. #2 After they have all been pulled the two kneeling on the ground is painful and humiliating, but also has a praying feel to it. #3 The figure on the ground is the female, not sure if I like that, but could easily be changed to a male and she could be pulled out instead of the male, finally the last male is already out being carried away. I think they all have a temporal feel to them.

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Info: 1970 The Chicano Moratorium and illustration
Thousands of Mexican-American antiwar activists march in Chicano Moratorium

On August 29, 1970, more than 20,000 Mexican-Americans march through East Los Angeles to protest the Vietnam War. The Chicano Moratorium, as this massive protest was known, was peaceful until the Los Angeles Sheriff's Department entered Laguna Park, sparking violence and rioting that led to three deaths. The Chicano Moratorium is now remembered both as the tragic end of one stage of Chicano activism and as a moment that galvanized and inspired a new generation of activists.

The march was planned as an entirely peaceful demonstration in support of peace and in protest of the Vietnam War, which claimed Latino lives at a disproportionately high rate. As demonstrators assembled in the park, the owner of a nearby liquor store called the police on some Chicano customers in the fear that they might begin shoplifting. When the sheriff's department responded, it assumed the protest had led to looting, and before long the police were storming the park with tear gas. Three people died and hundreds were arrested as riots spread throughout East LA.
Among the dead was Ruben Salazar, a Los Angeles Times journalist often referred to as the voice of the local Chicano community; he was hit on the head with a tear gas canister. Salazar’s death, in particular, sparked outrage, and many believe that the police or the FBI, whose agents were present for the march, used the chaos as cover for the assassination of a prominent voice of dissent.

Many viewed the violence and Salazar’s death as a loss of innocence for the Chicano movement. For many, however, it was the beginning of a lifetime of activism and a moment that would forever encapsulate the community’s struggle for racial equality. Many prominent Chicano artists, activists and politicians were present at the rally. The former Laguna Park is now called Ruben F. Salazar Park.