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Great Wall Institute: The Process of the Great Wall of Los Angeles

“La Ofrenda”

ARTIST:Yreina D. Cervantez was born in Kansas and received a degree from UC Santa Cruz, and an MFA from UCLA. SUBJECT:The ofrenda, Spanish for "offering," is an alter made to made to honor a saint or important person. This ofrenda is made in honor of Dolores Huerta, the co-founder of the United Farm Workers of America. The offerings come in form of candles, calla lilies, a god's eye, and images of the workers for whose rights she fought for. On the right side of the piece, open hands display a poem by Gloria Alvarez. The mural is an homage to the strength of Latina women. It brings attention to the hardships of war and immigration, while highlighting the life and hope that endures through these struggles.

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Chicano Movement
HISTORY Article:
https://www.history.com/news/chicano-movement

In the 1960s, a radicalized Mexican-American movement began pushing for a new identification. The Chicano Movement, aka El Movimiento, advocated social and political empowerment through a chicanismo or cultural nationalism.
As the activist Rodolfo “Corky” Gonzales declared in a 1967 poem, “La raza! / Méjicano! / Español! / Latino! / Chicano! / Or whatever I call myself, / I look the same.”
Leading up to the 1960s, Mexican-Americans had endured decades of discrimination in the U.S. West and Southwest. After the Treaty of Guadalupe Hidalgo put an end to the Mexican-American War in 1848, Mexicans who chose to remain on territory ceded to the United States were promised citizenship and “the right to their property, language and culture.”
But in most cases, Mexicans in America––those who later immigrated and those who lived in regions where the U.S. border shifted over––found themselves living as second-class citizens. Land grants promised after the Mexican-American War were denied by the U.S. government, impoverishing many land-grant descendants in the area.
Not White, But ‘Chicano’
Throughout the early 20th century, many Mexican-Americans attempted to assimilate and even filed legal cases to push for their community to be recognized as a class of white Americans, so they could gain civil rights. But by the late 1960s, those in the Chicano Movement abandoned efforts to blend in and actively embraced their full heritage.
By adopting “Chicano” or “Xicano,” activists took on a name that had long been a racial slur—and wore it with pride. And instead of only recognizing their Spanish or European background, Chicanos now also celebrated their Indigenous and African roots.
Leaders in the movement pushed for change in multiple parts of American society, from labor rights to education reform to land reclamation. As University of Minnesota Chicano & Latino Studies professor Jimmy C. Patino Jr. says, the Chicano Movement became known as “a movement of movements.” “There were lots of different issues,” he says, “and the farmworker issue probably was the beginning.”

Chávez Leads Fight for Farmworkers’ Rights
César Chávez and Dolores Huerta co-founded the National Farm Workers Association, which later became United Farm Workers (UFW) in California to fight for improved social and economic conditions. Chavez, who was born into a Mexican-American migrant farmworker family, had experienced the grueling conditions of the farmworker first-hand.
2015-2016- SPARC's CITY WIDE MURAL PROGRAM
CityWide Mural Program
In Partnership with:
SPARC partnered with City of Los Angeles Department of Cultural Affairs (DCA) a new CityWide Mural Program. Inspired by the legacy of Los Angeles’ murals and the passing of a new city-wide mural ordinance in 2013, funding was designated by the City of Los Angeles for new mural production and the restoration of city-sponsored fine art murals. SPARC’s Mural Rescue Program will lead the initiative to restore and preserve 9 murals deemed ‘historically significant’ by the DCA.