This page was created by Gina Leon.

This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Great Wall Institute: The Process of the Great Wall of Los Angeles Main Menu Research of the Decades Research 1960s Illustration Development Illustration Development Playlists of the Decades Playlists Great Wall Institute - Social and Public Art Resource Center (SPARC)

Women Strike, calling for an end to the Vietnam War

Women Strike for Peace members marching at Old Plaza in Los Angeles, 1966, calling for an end to the Vietnam War. The previous year the group sent a delegation to meet in Jakarta with women of the Vietnamese National Liberation Front, which strengthened their standing to speak on war and peace, usually the preserve of men and "experts".

This page has paths:

1966 Women Strike for Peace members marching at Old Plaza in Los Angeles Gina Leon
Contents of this path:
1. Women Strike, calling for an end to the Vietnam War
Vietnam War Draft Resistance sparcinla.org
Contents of this path:
1. 1972 Draft Lottery - Drum
2. Young Men Sworn into the Vietnam War
3. Women Strike, calling for an end to the Vietnam War
4. 1964-75 42,000 Native men and women serve in Vietnam On his last day of service in Vietnam in 1963, Harvey Pratt (Cheyenne and Arapaho) poses in Da Nang carrying his rappelling rope that he used to descend from helicopters to clear landing fields. Pratt is the designer of the National Native Americans Veterans Memorial. During the Vietnam War, more than 42,000 American Indians and Alaska Natives join the U.S. armed forces. Poor military record keeping may have undercounted the number. American Indians seek each other out and share dismay that stereotypes about Indians influence officers to send them out front during dangerous missions. The Vietnam Memorial lists 248 American Indians and Alaska Natives killed in action.
5. 1967 Century City Antiwar Demonstration Protestors fill Motor Ave. as they start marching toward Century Plaza Hotel for an anti-Vietnam War protest. Ten thousand protesters turned out during speech by President Lyndon Johnson.(Ray Graham / Los Angeles Times) . Ten thousand marchers, by most estimates, were assembling across the street from the Century City hotel. Hundreds of nightstick-wielding police — using a parade permit and court order that restricted the marchers from stopping to demonstrate — forcibly dispersed them. The bloody, panicked clash that ensued left an indelible mark on politics, protests and police relations. It marked a turning point for Los Angeles, a city not known for drawing demonstrators to marches in sizable numbers. The significance of the evening lay not simply in the 51 people who were arrested and the scores injured when 500 of the 1,300 police on the scene pushed the demonstrators into, and then beyond, a vacant lot that is now the site of the ABC Entertainment Center. Far more powerfully, the Century Plaza confrontation foreshadowed the explosive growth of the national antiwar movement and its inevitable confrontations with police. It shaped the movement’s rising militancy, particularly among the sizable number of middle-class protesters who expected to do nothing more than chant against Johnson outside the $1,000-a-plate Democratic Party fundraising dinner and were outraged by the LAPD’s hard-line tactics. Johnson rarely campaigned in public again, except for appearances at safe places like military bases. Within nine months, opposition to the war grew so strong that he shelved his reelection campaign. White liberals in Los Angeles, meanwhile, began to complain about excessive force by the LAPD, a subject traditionally raised only by black and Latino residents. By the next summer, when Chicago police beat demonstrators in the street outside the 1968 Democratic National Convention, the country was at war with itself. In retrospect, the Century Plaza demonstration was one of the earliest battlegrounds. …
6. 1967 Vietnam War Opposition
7. 1971 Anti-War demonstration on Wilshire Blvd Politicized by War For many young Asian Americans in the 1960s, the War in Vietnam was a brutal and urgent politicization. Watching the war unfold on the nightly news, a common sentiment was that America “killing people who looked like us.” Unlike the mainstream anti-war movement, many Asian Americans saw the Vietnam War as genocidal, or at least imperialist. They placed the war within the larger history of anti-Asian racism in America and imperialist expansion into the Third World.