Great Wall Institute: The Process of the Great Wall of Los AngelesMain MenuResearch of the DecadesResearch1960s Illustration DevelopmentIllustration DevelopmentPlaylists of the DecadesPlaylistssparcinla.org185fc5b2219f38c7b63f42d87efaf997127ba4fcGreat Wall Institute - Social and Public Art Resource Center (SPARC)
Following the Watts Rebellion, self organized art and literature groups began to form creating a Black Cultural Renaissance. The Watts Towers Art Center was founded just a year prior to the rebellion by artists and activists Noah Purifoy, Judson Powell and Sue Welsh with the intention to create opportunities for artists and community members. The Watts Happening Coffee House was founded just two months after the rebellion by youth activists and was used as an art gallery and performance space. The Coffee House was host to the Watts Writers Workshop, the Watts Prophets, and other cultural and political activists that arose at the time.
Out of this Renaissance came the Watts Writers Workshop, which started as a weekly creative writing class every Wednesday and grew into a space where Black folks were writing about their lives, bringing the Watts perspective into the world through the publishing of their literary works. Artists like John Outterbridge, who used garbage and burned elements to create sculptures, and Betye Saar, who grew up during the building of the Watts Tower and would later make works criticizing Jim Crow and stereotyped ideas of Blackness, also emerged from this movement. Cecil Ferguson was also a prominent figure during the Renaissance, not as an artist but as an activist and curator at LACMA who continually advocated for the work of Black artists and their own exhibitions to be featured. The Watts Renaissance offered a creative outlet for the Black community of Watts.
Sources:
Fortier, Jerome. “WATTS Art and Social Change in Los Angeles, 1965-2002.” Haggerty Museum of Art, Marquette University, 2003.
Kelley, Robin D.G. “Op-Ed: Watts: Remember What They Built, Not What They Burned.” Los Angeles Times, Los Angeles Times, 11 Aug. 2015, www.latimes.com/opinion/op-ed/la-oe-0811-kelley-watts-civil-society-20150811-story.html#page=1.
Sonksen, Mike. “Stretching out into the Community: Five Key Watts Artists Who Helped Shape American Art.” PBS SoCal, KCET, 19 Jan. 2021, www.pbssocal.org/shows/artbound/stretching-out-into-the-community-five-key-watts-artists-who-helped-shape-american-art.
“Watts Coffee House.” LA Conservancy, 30 July 2023, www.laconservancy.org/learn/historic-places/watts-coffee-house/.
“Watts Writers Workshop Book Collection: History of the Workshop.” Pepperdine Libraries: Learning and Research Guides, Pepperdine University, infoguides.pepperdine.edu/c.php?g=1139462&p=8313861. Accessed 26 Oct. 2023.
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1media/kcet.brightspotcdn_thumb.jpg2022-08-03T22:52:10+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81965 Budd Schulberg (center) and members of the Watts Writers Workshop1Budd Schulberg (center) and members of the Watts Writers Workshop. Photo Credit: Dartmouth College's Rauner Special Collections Library Repository, Budd Schulberg papers, Box 108 Folder 56media/kcet.brightspotcdn.jpgplain2022-08-03T22:52:10+00:001965#Watts Renaissance, #Watts Writers Workshop, #Budd SchulbergIsa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Purifoy-ca-1965_thumb.jpeg2022-01-28T01:39:01+00:00Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a491965 Watts Renaissance11965 Noah Purifoy at Watts Towers Arts Center - a sculptor. He was part of the "Watts Renaissance" which also included Horace Tapscott, alongside dancers, writers, actors, filmmakers, and poets - "whose creative energies had been unleashed by rebellion." Wiener and Davismedia/Purifoy-ca-1965.jpegplain2022-01-28T01:39:01+00:00Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a49
1media/Screen Shot 2022-08-03 at 3.27.12 PM_thumb.png2022-08-03T22:31:06+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81965 Watts Writers Workshop2Novelist and screenwriter Budd Schulberg, center, began the Watts Writers Workshop in 1965. It was his personal effort at reconstruction after the Watts Riots. (Los Angeles Times).media/Screen Shot 2022-08-03 at 3.27.12 PM.pngplain2022-08-03T22:31:39+00:001965#Watts Renaissance, #Watts Writers Workshop, #Budd SchulbergIsa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Screen Shot 2022-07-29 at 5.32.50 PM_thumb.png2022-07-30T00:34:50+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81966 Watts Summer Festival Goers Sitting on a Car1Watts Summer Festival, Los Angeles Photo by Melvin Edwards, courtesy of Alexander Gray Associatesmedia/Screen Shot 2022-07-29 at 5.32.50 PM.pngplain2022-07-30T00:34:50+00:00#Watts Festival, #Wattstax, #Watts Renaissance1966Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Watts_Summer_Festival_parade_thumb.jpg2022-08-04T00:58:41+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81968 Watts Summer Festival Parade Watts Writers Workshop Float1People riding on a float in the 1968 Watts Summer Festival parade, sponsored by the Douglas House Foundation/Watts Writers Workshop, and referring to Medgar Evers, Martin Luther King, Jr., and Malcolm X. It states: "We will record with our pen the truths you died for."media/Watts_Summer_Festival_parade.jpgplain2022-08-04T00:58:41+00:001968#Watts Renaissance, #Watts Writers Workshop, #Watts Summer FestivalIsa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Students_visit_Watts_Towers_thumb.jpg2022-08-03T23:04:43+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81985 John Outterbridge with a group of students at the Watts Towers1Artist John Outterbridge (right), director of Watts Towers Art Center, seen with a group of students, from the El Segundo Center St. Elementary School, who are touring the Watts Towers. Photograph dated March 22, 1985. Outterbridge began teaching at the Watts Towers Arts Center in the mid-1960s. He became director of the arts center in 1975. Beginning in the 1960s, Outterbridge and other artists sought a new visual language to express the African American experience, one that did not depend solely on representation. Assemblage, coupled with the move toward abstraction, allowed such artists to work through themes and ideas that concerned them without having to fall back on visual types. For Outterbridge, the exploration through art of his heritage, his struggles, and his past intersected with his interest in community activism. (https://hammer.ucla.edu/now-dig-this/artists/john-outterbridge)media/Students_visit_Watts_Towers.jpgplain2022-08-03T23:04:43+00:001985#Watts Renaissance, #Watts Towers, #Watts Towers Arts Center, #John OutterbridgeIsa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Screen Shot 2022-07-29 at 5.09.10 PM_thumb.png2022-07-30T00:15:18+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81967 Watts Summer Festival parade1Watts Summer Festival parade, Los Angeles. August 14, 1967. copyrighted UCLA Library Special Collectionsmedia/Screen Shot 2022-07-29 at 5.09.10 PM.pngplain2022-07-30T00:15:18+00:00#Watts, #Parade, #Watts Summer Festival, #Wattstax1967Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8
1media/Screen Shot 2022-07-29 at 5.20.32 PM_thumb.png2022-07-30T00:22:30+00:00Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e81967 Miss Watts in Watts Festival Parade1Smiles of Miss Watts and her attendants set the festival tone for the half-mile long parade ending the second annual Watts Festival. Veronica Hayes, 18, who reigned over the Summer Festival as Miss Watts, waves from float as she rides in the parade. She wears a crown, carries a bouquet, and is flanked by two attendants. Photo dated: August 14, 1967media/Screen Shot 2022-07-29 at 5.20.32 PM.pngplain2022-07-30T00:22:30+00:00#Miss Watts, #Watts Festival, #Watts Parade1967Isa Lovelace9b0e63463955cb91e1285177f7061770c00ce6e8