This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Great Wall Institute: The Process of the Great Wall of Los Angeles

1994 Protesting Prop 187

This page has paths:

Contents of this path:
1. 1987-90 Operation Hammer Samuel Momodu (BlackPast): “Operation Hammer, a law enforcement program by the Los Angeles Police Department that began in 1987 was ostensibly an attempt to crack down on gang violence in Los Angeles, California. Many critics, however, saw the operation as racial profiling because it targeted the city’s African American and Hispanic youth. The origin of Operation Hammer can be traced back to the 1984 Summer Olympics which were held in Los Angeles, California. Under the supervision of Los Angeles Police Department (LAPD) chief Darrel Francis “Daryl” Gates, the LAPD expanded gang sweeps during the Olympics ostensibly to protect the tens of thousands of outside visitors and Los Angeles residents expected to attend the games. Many of the events were scheduled for the Los Angeles Colosseum located in South Central Los Angeles, a major area of gang activity. The main areas the LAPD targeted were South Central and East Los Angeles and the tactics used included mass arrests and detention of suspected gang members.”-
2. 1990 Justice for Janitors Article: https://www.kcet.org/shows/departures/justice-for-janitors-day-marks-25th-anniversary-in-l-a -A critical chapter in U.S. labor history - On this day, back in 1990, over 400 striking janitors, primarily Central American immigrants, members of Service Employees International Union (SEIU) Local 399, demonstrated peacefully in an effort to improve the living standards for their families by unionizing their employer International Service System (ISS), the contractor responsible for servicing most of L.A.'s office buildings at the time. The demonstration followed two weeks of intense organizing efforts by janitors and took place in Century City, a region in west Los Angeles that houses corporate office towers of the wealthiest businesses in the country. At first, the rally appeared to be another event in line with the organizing efforts of the strike, yet, this particular rally propelled the janitors' struggle to the national spotlight when members were confronted and injured by fifty police officers who were equipped with batons. In total, 38 janitors were injured during the incident, and many were arrested during the altercation. The violent images quickly began circulating across media outlets across the country and led to an increased public support for the janitors cause. Rather than back down after the confrontation, janitors remained on the streets and were eventually joined by over 2,500 supporters and prominent leaders, including Jesse Jackson, who publicly decried the meager wages janitors were earning at the time -- some as little at $4.50 per hour. The janitors' dedicated efforts, coupled with the widespread community support and the public outrage over the police brutality, resulted in janitors receiving an increase of wages over $2 per hour, full family health coverage, and the ratification of a union contract with ISS. "Our efforts that day and all of the efforts leading up to that action, represented a fight for dignity and respect," explained Jose Garcia, a janitor who was present at the march on June 15, 1990, and still services the industry today. "On this day we finally had a voice on the job and we were able to show the nation and the world that we were on the side of justice." Garcia further explained that prior to this victory, janitors in Los Angeles did not have any control over working conditions, low wages, and were subjected to numerous abuses by employers. Since then, unionized L.A. janitors earn between $12-$14 per hour, and form part of SEIU-United Service Workers West (USWW).
3. 1991 American Baptist Churches (ABC) Settlement Agreement
4. "Marc Chagall Comes Back to Venice Beach" by By Christina Schlesinger (1991) Located at Israel Levin Center Venice Boardwalk. The mural employs imagery from the Russian-Jewish painter Marc Chagall superimposed onto the Venice Beachfront. At the far left a rabbi is holding a torah on which is written, in Hebrew, the 5th Commandment, “Honor Thy Father and Thy Mother.” A Chagall bird leaps from the flames and leads the viewer’s eye into the main section of the mural, where various characters and images from Chagall are placed onto the Venice Beach and boardwalk. A rabbi with a small rabbi standing on top of his head, indicates the many generations of teachers in Jewish history. Next to the fiddler on the roof the viewer sees the non-Chagallian character, an angel on roller blades representing contemporary Venice beach. He stands beneath a candelabrum of seven candles, referring to the seven-branched menorah and the extensive use of light in Jewish religion and culture. At the other end of the mural is a poem about overcoming obstacles called “Roots.” It is written by 95-year-old Dora Bayrack.
5. 1991 Rodney King is seen leaving LA County Jail on March 7 On March 3, 1991, King's savage beating by Los Angeles police was caught on tape by a bystander watching from his balcony. LA had a long history of police brutality, but now we were all witnessing it first-hand on our TVs. Watching the beating was especially jarring for me because King and I had grown up in the same Pasadena-Altadena community. We'd gone to school together. We weren't close, but I knew him — who went by Glen, never Rodney — as a gentle, friendly kid. The four police — Sgt. Stacey Koon and officers Laurence Powell, Theodore Briseno, and Timothy Wind — went on trial the next year. Adding to public anger, the trial was moved from LA to Simi Valley, a predominantly white "cop town" northwest of the city.
8. "To Protect and Serve" By Noni Olabasi (1992) Located at Moe Hair Salon 3406 11th Avenue Los Angeles. This history of the Black Panther Party was originally selected as one of SPARC’s Great Wall Unlimited: Neighborhood Pride Murals. However, after opposition and political the conservative City Arts Commission, the mural was turned into an independent project and funded with private donations. The left side focuses on personal and institutional racist violence toward African-Americans. Depicted are images of the Klan and Bobby Seale bound and gaged, as he was during the Chicago 7 Trail of the late 1960s–above him is judge Julius Hoffman who presided in that case. Huey Newton and Angela Davis are also portrayed. The right side of the mural emphasizes the Panthers’ social projects, such as the Free Breakfast Program. From the mural: We want an immediate end to POLICE BRUTALITY and MURDER of Black People! We want land, bread, housing, education, clothing, justice and peace. All power to the people! A special thanks is offered to Hair Expressions and the community for their war and loving support.
9. 1992 LA RIOTS
11. 1992 Chinese Student Protection Act
12. "Freedom Won't Wait" by Noni Olabisi (1992)
13. "Calle De La Eternidad" By Johanna Poethig (1993) Located at BBF Broadway Building 351 South Broadway (at 4th St.) ARTIST Johanna Poethig was raised in the Philippines through high school and has lived in Chicago, San Francisco and Oakland since coming to the United States. Poethig received her BFA at the UC Santa Cruz and her MFA at Mills College (in Oakland, CA). Her public art works intervene in the urban landscape, in neighborhoods, on freeways, in parks, hospitals, schools, homeless shelters, cultural centers, advertising venues and public buildings. ABOUT THE MURAL “The architecture of the building really affected me because it’s so high off the ground and so much of the background is all those buildings reaching to the sky. Also, the whole context of being in Broadway, in a very Latino neighborhood, is so important to me. I started to look for symbols and artifacts from pre-Columbian America. The arms that are reaching to sky based on Peruvian gold work. The Aztec Calendar contains text by Octavio Paz about time and place. It’s trying to bring poetry to the idea of being at home and in exile at the same time. In the middle of a commercial LA landscape you have something that is talking about connecting us culturally and historically to our past and present.” -Johanna Poethig
14. 1993 Bill Clinton signing the National Voter Registration Act (Motor Voter Act)
15. "Breaking Bread/ Not Somewhere Else, But Here" By Daryl E.Wells (1993) Located at National Council of Jewish Women 543 N. Fairfax Ave., Los Angeles, CA West LA. This mural emphasizes the themes of community service, social actions and education that the National Council of Jewish Women of Los Angeles endorses. Wells depicts influential and prominent women of varied ethnic backgrounds building community and sharing struggles through the act of “breaking bread” together. Furthermore, it is both homage to the women it depicts and also a gesture to the community in support of multiculturalism. The women depicted from left to right are: Betty Friedan (author and activist), Barbara Boxer (senator), Hannah Senesh (poet and holocaust rescue mission fighter), Dolores Huerta (United Farm Workers Union co-founder), Lee Krasner (artist), Barbara Jordan (congresswoman and civil rights worker), Emma Goldman (anarchist and labor rights activist), young woman of the Ethiopian Jewry, Aung San Suu Kyi (elected president of Burma, was put under house arrest), Lillian Hellman (playwright), Rigoberta Menchu (Guatemalan human rights activist and winner of the Nobel Peace Prize) and Hannah Solomon (founder, National Council of Jewish Women). “Not Somewhere Else But Here” has been written about by scholars and art historians since the 1990’s. Paul Von Blum, a respected art historian, published an important article on it with the University of Wisconsin shortly after its creation.
16. "Return to the Light" By Charles Freeman (1993) Located at Carlota Park Apartments 227 East Avenue 41 Highland Park. ARTIST: Freeman is a self-taught artist. He moved to Los Angeles in 1974 while active in the Black Panther Party as an organizer. SUBJECT: The mural depicts to prevalent social ills: the senseless killing of young people and homelessness. The shaman in the center represents a healthy state of wholeness. Cesar Chavez represents vision being focused. The elderly are symbols of rich experience and wisdom. The spirits of Pancho Villa and Zapata are there to signify strength and courage. The mural’s title refers to the role of the spiritual in finding solutions.
18. 1994 Crime Bill that Fed Into the Mass Incarceration Crisis
19. 1994 VIOLENCE AGAINST WOMEN ACT Through the original bill, which passed in 1994, VAWA created the first U.S. federal legislation acknowledging domestic violence and sexual assault as crimes, and provided federal resources to encourage community-coordinated responses to combating violence. Up for renewal every five years, each VAWA reauthorization builds on existing protections and programs to better meet the needs of survivors. Reauthorized in 2000 it created a much-needed legal assistance program for victims and included responses to dating violence and stalking. In 2005, VAWA created new, holistic responses programs to meet the emerging needs of survivors and communities, such as prevention, landmark housing protections for survivors, funding for rape crisis centers, and culturally- and linguistically-specific services. VAWA 2013 enhanced access to safety and justice for Native American and LGBTQ survivors.
20. 1994 Proposition 187
22. 1998 Alex Sanchez founds Homies Unidos
23. 2022 Strike Law

Contents of this path:

This page has tags:

Contents of this tag:
3. 1970 2nd Chicano Moratorium: Las Adelitas de Aztlán join protest “After leaving the Brown Berets, Arellanes — along with Jensen and her sister, Grace; Andrea and Esther Sánchez; Lorraine Escalante; Yolanda Solis; and Arlene Sánchez — founded Las Adelitas de Aztlán. The name referred to the soldaderas who fought alongside the men during the Mexican Revolution. They invited members of the community to join them and on Feb. 28, 1970, they made their public debut at the second anti-war moratorium in East Los Angeles.” Members of Las Adelitas de Aztlán at the second Chicano Moratorium protest against the Vietnam War on Feb. 28, 1970. At right is Hilda Reyes. They marched in the rain under a banner made by Gloria Arellanes and other members of the group. Las Adelitas dissolved later that year.
4. 1967 Century City Protestor removed by Police In retrospect, the Century Plaza demonstration was one of the earliest battlegrounds. The original idea was to stage a march from Rancho Park, up Pico Boulevard and past the hotel on Avenue of the Stars, then turn onto Santa Monica Boulevard and go home. But as the marchers reached the hotel, a vanguard of radicals ignored the terms of the police permit and sat down in the street. The march halted. Police said they issued a dispersal order several times on a powerful loudspeaker, but many demonstrators said that in all the noise and chants they failed to hear it. Then hundreds of officers moved in, their nightsticks held in front of them, pushing the demonstrators away. Some of the people fought back. Some photographs show police swinging their nightsticks at marchers who were not resisting. A particularly bitter clash took place under the Olympic Boulevard bridge. …June 23, 1967: A protester is removed from Century Plaza during a speech by President Lyndon Johnson.(Frank Q. Brown / Los Angeles Times Archive/UCLA)
12. 1974 The Great Wall of Los Angeles 1974 The Great Wall of Los Angeles is one of Los Angeles’ true cultural landmarks and one of the country’s most respected and largest monuments to inter-racial harmony. SPARC’s first public art project and its true signature piece, the Great Wall is a landmark pictorial representation of the history of ethnic peoples of California from prehistoric times to the 1950’s, conceived by SPARC’S artistic director and founder Judy Baca. Begun in 1974 and completed over five summers, the Great Wall employed over 400 youth and their families from diverse social and economic backgrounds working with artists, oral historians, ethnologists, scholars, and hundreds of community members.
13. 1967 The Bloody March - America at War with Itself
15. 1968 Oakland High School at funeral for Black Panther Bobby Hutton PHOTO BY NIKKI ARAI - Oakland High School students participated in the funeral for Black Panther Bobby Hutton, killed by Oakland Police in 1968. The Black Power movement, led by various groups including the Student Nonviolent Coordinating Committee, Nation of Islam, and the Black Panther Party, emerged in the latter half of the sixties. Coined by Black Panther leader Stokely Carmichael, the Black Power movement inspired racial pride and advocated for local community control, self-determination and economic development. At the same time, other social movements challenged the existing social order. At UC Berkeley, students engaged in civil disobedience over a university ban on political activity and initiated the Free Speech movement. The women’s liberation movement emerged in the late ‘60s as organizations formed to confront society’s sexism and to promote women’s equality. Likewise, activists organized the environmental movement to protect the earth, stop pollution, and clean-up toxic environmental hazards in low-income neighborhoods and communities of color. Each of these movements, as well as their militancy, informed the Asian American movement.
16. 2012 California voters approved a ballot measure that would amend the state’s highly controversial Three Strikes law. https://blackyouthproject.com/ca-voters-approve-ballot-measure-reforming-three-strikes-law/ The revised law would require that the third offense be of a serious or violent nature–not something as minor as writing a bad check or, in a much-cited example, stealing a pair of socks. “Tonight’s vote on Proposition 36 sends a powerful message to policymakers in California and across the country that taxpayers are ready for a new direction in criminal justice,” Adam Gelb, director of the Pew Center on the States’ Public Safety Performance Project, told the San Jose Mercury News. “States that have already made some changes to their sentencing laws may be inspired to take a second look, and states that haven’t made significant changes yet may start.” In addition to altering the sentencing guidelines for future convicts, Prop 36 also creates a pathway for nearly 3,000 inmates currently serving life sentences under the Three Strikes Law to petition for a reduced term.
19. 1970 3rd Chicano Moratorium: Rosalio Munoz speaks at Laguna Park
22. 1970 After Chicano Moratoriums: 1974 ASCO First Supper After a Major Riot Harry Gamboa Jr.: LA County sheriffs open fired on innocent students and protestors, and wounded and killed many people who were protesting against the war in Vietnam, and were also protesting against police violence, which was followed by a two to three-and-a-half year crackdown on young people gathering on the streets of East Los Angeles. At the time that we shot [First Supper After a Major Riot], we felt that it had been long enough. It was time for it to be extinguished. And so, we declared it to be a celebration. Willie Herrón: At the time of the Moratorium, I was in high school. I remember the procession originating at Belvedere Park, protesting the Vietnam War and all the Chicanos that lost their lives. The police brutality was incredible. It affected me quite a bit and I think it affected all of us. So that's why Whittier Boulevard became such an important street, and a place for us to conduct our performances and connect them to our community and the way society viewed us at the time.
23. 1970 After Chicano Moratoriums: 1971 ASCO Stations of the Cross Stations of the Cross was a walking “ritual of resistance” against what the performance group Asco considered the “useless deaths” taking place in Vietnam. The male members of the group (which originally comprised Harry Gamboa Jr., Gronk, Willie Herrón III, and Patssi Valdez) paraded down Whittier Boulevard in East Los Angeles, with Herrón as a Christ/death figure bearing a large cardboard cross. The quasi-Passion Play ended with the trio blocking a U.S. Marines recruiting office with the cross, symbolically halting military recruitment from their Mexican American neighborhood.
24. 1960s/1970s Asian American protest Community and Place Mao told his followers to “serve the people,” and Movement activists took the call to heart. In the context of Los Angeles, they found their calling in historic Japanese, Filipino and Chinese American communities. Often neglected by government agencies and limited by language access and social stigma, these neighborhoods needed jobs, health services, and education access. As these younger, college-educated, radicalized Asian Americans worked in the community, they built intergenerational bridges and emphasized the importance of place. Their battles against eviction and redevelopment took on a double urgency: both protecting historical communities and the new Movement centers that shared spaces with them.
25. 1960s Brown Berets members When he 15, Dr. Sanchez started the Young Chicanos for Community Action in Monterey Park, California. He later changed the name to the Brown Berets, because he had actually purchased one, by chance, and wore it often. From then on, the grassroots group met at various locations, including the Boy’s and Girl’s Club and coffee shops, because they didn’t want police to know their whereabouts. Dr. Sanchez, along with Carlos Montes, another organizer with the Brown Berets, began to take up causes such as police brutality, better education, and discrimination against the Latinx community. Their first protest was in 1967, when they picketed the sheriff's office in East L.A. to protest the killing of Latino men.
26. 1960s Brown Beret member Gloria Arellenas and others Undated photo strips show Gloria Arellanes, at left, and at center, with fellow Brown Beret members including, from clockwise: Lorraine Escalante, Hilda Reyes and Arlene Sánchez. (Special Collections & Archives, John F. Kennedy Memorial Library, Cal State LA, Gloria Arellanes Papers) Arrellanes became the minister of Finance & Correspondence after being apoitned by David Sánchez, the group’s founder. She was the only woman on the leadership team.
28. 1960s/1970s GIDRA Staff photo Murase, who completed his undergraduate degree in 1970, said he had few opportunities to learn about Asian Americans in the classroom. In response, he and five other UCLA students established Gidra in 1969, a monthly newspaper that highlighted and commented on Asian American issues while also enabling local artists and writers to share their work. Gidra was initially established at Campbell Hall as an Asian American student publication, Murase said. As Gidra’s influence began to extend beyond UCLA following its early publications, Murase said he and his peers moved their operations to a rented office on Jefferson Boulevard – about five and a half miles from UCLA – and accepted submissions from the larger community, including those who lived outside of Los Angeles or were not of Asian descent. Through the work of its volunteer staff and contributors, Gidra produced a total of 60 issues before its closure in 1974, Murase added. Coming of age in the 1960s, Asian American students at universities developed a new, distinct consciousness as Asian Americans shaped by the racial and international context of the time. By 1968, when the Asian American population numbered about 1.3 million, 80 percent of Japanese Americans and about 50 percent of Chinese Americans and Filipino Americans, respectively, were born in the United States. Asian Americans had come to reach the same educational attainment as whites, but still earned substantially less because of racial discrimination. For example, in 1960 Filipinos earned only 61 percent of the income of whites with comparable educations. Japanese and Chinese also earned less than their white counterparts, making 77 percent and 87 percent, respectively. Among the 107,366 Asian American college students on university campuses in 1970, Chinese and Japanese made up the vast majority, with over eight out of ten Asian American students being of either Japanese or Chinese American descent.
29. 1971 Asian Americans not only called for peace in order to bring troops home, but also protested U.S. intervention and imperialism in Vietnam As a newly-formed group identity, Asian American consciousness was rooted in the communities from which they came. Actively seeking to reclaim their histories and to find their own voices, they sought out narratives from their ancestors and elders. They became engaged with their home neighborhoods, creating local programs to “serve the people” and to rally the masses. They also sought to forge solidarities across ethnicity, race, and national boundaries as they identified with other “Third World” peoples. This term recognized the exploitative relations in the global hierarchy where the least developed nations faced oppressive histories and conditions similar to historically marginalized communities in the U.S. Through the practice of supporting one another’s movements and struggles, Asian American students built a collective identity and common cause to address racial injustices. Additionally, Asian American students were deeply influenced by major international developments of the 1960s. The anti-war movement against U.S. military involvement in Southeast Asia reached its apex on campuses in early 1968; the success of North Vietnam’s Tet offensive demonstrated that despite the onslaught of U.S. military might, the war could not be easily won. Asian American war protestors realized their paradoxical position. On one hand, they knew they were Americans, but they were being sent to fight an enemy that not only looked like them, but were in a subordinate position in the world order like they found themselves to be within boundaries of their own country
30. 1969 1st Chicano Moratorium: Outside recruiting center
31. 1968 Los Angeles high school walkout protesters in their car: "Get Cops Out of Schools" This March 1968 photo provided by the UCLA Chicano Studies Research Center, protesters in a car drive by with a sign that reads "Get the Cops Out of the Schools Now!" during a walkout by students at Theodore Roosevelt High School in Los Angeles. Participants of a 1968 Los Angeles high school walkout over dropout rates, paddle beatings for speaking Spanish and other issues . (Devra Weber/La Raza Photograph collection/UCLA Chicano Studies Research Center via AP)
33. 1971 Student and barrio youth lead protest march in Belvedere Park.
34. 2007 Dream Act The Development, Relief, and Education for Alien Minors Act, known as the DREAM Act, is a United States legislative proposal to grant temporary conditional residency, with the right to work, to undocumented immigrants who entered the United States as minors—and, if they later satisfy further qualifications, they would attain permanent residency. In April 2001, United States Senators Dick Durbin (D-Illinois) and Orrin Hatch (R-Utah) first introduced the bill in the Senate as S. 1291, but it did not pass. The proposal has since been reintroduced several times, but has not been approved by majorities in either house of the United States Congress.[1][2]
36. 1992 Chinese Student Protection Act
37. 1970 After Chicano Moratoriums: After moratorium demonstration Chicano Moratorium Committee anti-war demonstrators gather in East L.A. "The biggest, bloodiest disturbance in Los Angeles since Watts five years earlier lasted several hours. When it was over, Los Angeles Times columnist Ruben Salazar was dead and two others mortally wounded, about 200 people were under arrest, 75 law enforcement officers and untold numbers of demonstrators were injured, 95 county vehicles were destroyed or damaged, 44 buildings were pillaged and eight major fires had been set.” “After the Chicano Moratorium, I said no way am I going to put myself in jeopardy ever again,” Jensen says. “Because that’s how scared I was.” Jensen stopped organizing
38. 1966 Youth being searched by police during crackdown on the Sunset Strip
39. 1973 three young activists in New York City recorded A Grain of Sand: Music for the Struggle by Asians in America The Movement marked the first time Asian people collectively owned and created their own images in this country. It was no small feat: young artists had to cut against the stereotypes and caricatures they had been fed since youth. These lines from “We Are the Children” on the seminal album A Grain of Sand capture this tension: Foster children of the Pepsi generation Cowboys and Indians ride, red man, ride! Watching war movies with the next-door neighbor Secretly rooting for the other side Culture—musical, visual, written, performed—was a way to exorcise and subvert dominant American narratives. It infused the new identity of Asian America with anti-imperialist and multiethnic critiques. The verse above both names a dominant paradigm then re-appropriates the image of the heroic cowboy and soldier by actually identifying with the ‘villain’—in this case, the indigenous and Asian combatants.
40. 1968 Walkouts at Venice High School
41. 1967 Century City Antiwar Protest Far more powerfully, the Century Plaza confrontation foreshadowed the explosive growth of the national antiwar movement and its inevitable confrontations with police. It shaped the movement’s rising militancy, particularly among the sizable number of middle-class protesters who expected to do nothing more than chant against Johnson outside the $1,000-a-plate Democratic Party fundraising dinner and were outraged by the LAPD’s hard-line tactics. Johnson rarely campaigned in public again, except for appearances at safe places like military bases. Within nine months, opposition to the war grew so strong that he shelved his reelection campaign. White liberals in Los Angeles, meanwhile, began to complain about excessive force by the LAPD, a subject traditionally raised only by black and Latino residents. By the next summer, when Chicago police beat demonstrators in the street outside the 1968 Democratic National Convention, the country was at war with itself. In retrospect, the Century Plaza demonstration was one of the earliest battlegrounds. …
42. Free Huey Huey P. Newton, in full Huey Percy Newton, (born February 17, 1942, Monroe, Louisiana, U.S.—died August 22, 1989, Oakland, California), American political activist, cofounder (with Bobby Seale) of the Black Panther Party (originally called Black Panther Party for Self-Defense). An illiterate high-school graduate, Newton taught himself how to read before attending Merritt College in Oakland and the San Francisco School of Law. While at Merritt he met Seale. In Oakland in 1966 they formed the Black Panther group in response to incidents of alleged police brutality and racism and as an illustration of the need for Black self-reliance. At the height of its popularity during the late 1960s, the party had 2,000 members in chapters in several cities. In 1967 Newton was convicted of voluntary manslaughter in the death of a police officer. His imprisonment sparked protests—and the popular rallying cry “Free Huey.” His conviction was overturned in 1970, and he was released from prison. In 1971 he announced that the party would adopt a nonviolent manifesto and dedicate itself to providing social services to the Black community, which included free meals for children and health clinics. In 1974 Newton was accused of another murder and fled to Cuba for three years before returning to face charges; two trials resulted in hung juries.
43. 1969 UCLA philosophy department hired Angela Davis
44. 1968 Female student being arrested at Venice High School Walkout LOS ANGELES, CA - MARCH 12: Image originally published on March 13, 1968--Police struggle to arrest a female student at Venice High School during a clash with 1,000 students. She was accused of using obscene and abusive language. Eight people were arrested. March 1, 1968: Over 15,000 Chicanos, students, faculty, and community members, walk out of seven East L.A. high schools. Those schools included: Garfield, Roosevelt, Lincoln, Belmont, Wilson, Venice, and Jefferson High School. Some students from East L.A. junior high schools join the protests, as well
45. 1966 Riots on the Sunset Strip
46. 1971 “Liberation,” January 1971 issue of Gidra Though Gidra included women on its staff and women’s issues in its pages, a series of “rap sessions” led to a special women’s issue in 1971 with the word “Liberation” and a large Venus symbol on the cover. The issue linked international questions to those at home, from war brides and G.I.s to struggles of women within the Asian American Movement. The focus on the global and the local was also present in the popular International Women’s Day celebrations. Beginning in 1974, the festival united many of the different Movement groups in a common recognition of women’s struggles.
47. Chicana Feminists Chicana feminists in Southern California engaged in a range of groups and activities, both on college campuses and in their communities - often both. Regardless of the specifics of their politics or focus, most were initially politicized in the Chicano movement of the late 1960s; and most developed their feminist consciousness as a result of their direct experience with sexism in that movement. The six individual narrators in this series reflect this common background. The four activists in Hijas de Cuauhtemoc (Anna NietoGomez, Corinne Sanchez, Leticia Hernandez and Sylvia Castillo) cut their political eye teeth in the Chicano student group, UMAS/MEChA, at CSULB. In fact, it was their experiences in MEChA that motivated them to form the Hijas group (which published a newspaper by the same name). They were also involved in community groups and continued this activism after they left college, particularly in the Chicana Service Action Center. Yolanda Nava , who was one of the founding members of Comision Femenil Mexicana (CFM) and later served a term as president, was also introduced to the Chicano movement through MEChA. Although more than a decade older than these activists, Consuelo Nieto had similar experiences with sexism. Her introduction to the Chicano movement came while she was teaching in the schools in ELA, where high school students had organized to demand better education. A word about language in this series: While the term Anglo came to be used later, during the heyday of the Chicana feminist movement - and particularly in the debate and conflict with those who excoriated the feminists - White was the term most often used. In their interviews, the women themselves used the term White. It should also be noted that Cuauhtemoc is sometimes spelled "Cuahtemoc." NOTE: The interviews with the founders and former members of Hijas de Cuauhtemoc were conducted by Maylei Blackwell for what became her larger research project. As a courtesy to her, the audio recordings of these interviews will not be available until 2006. Until then, they can be used on-site at CSULB with her permission. See also her essay, "Contested histories: las hijas de Cuauhtâemoc, Chicana feminisms, and print culture in the Chicano movement, 1968-1973" in Gabriela Arredondo et al., Chicana Feminisms: A Critical Reader (Durham: Duke University Press, 2003) and the response by Anna NietoGomez. See also the writings of Anna NietoGomez, and other femenista pioneers in Alma Garcia, ed., Chicana Feminist Thought: Basic Historical Writings. New York: Routledge, 1997.
48. March 1968 Sal Castro with walkout students at Lincoln High School Image courtesy of LA Times Photographic Archive, Charles E. Young Research Library, UCLA. Set the Night on Fire: "Castro, a high school teacher long active in liberal and Mexican-American causes, was a key force in organizing student walkouts to protest school conditions in East L.A. The "Blowouts", as they were soon called, were genesis events in the emergence of a new, militant "Chicano" identity.
49. 1960s/1970s GIDRA sisters
51. 1971 Anti-War demonstration on Wilshire Blvd Politicized by War For many young Asian Americans in the 1960s, the War in Vietnam was a brutal and urgent politicization. Watching the war unfold on the nightly news, a common sentiment was that America “killing people who looked like us.” Unlike the mainstream anti-war movement, many Asian Americans saw the Vietnam War as genocidal, or at least imperialist. They placed the war within the larger history of anti-Asian racism in America and imperialist expansion into the Third World.
52. 1970 East L.A. picketing to protest conditions at the school
57. 1968 SFSU Mass Strike Called THE CALL FOR ASIAN AMERICAN STUDIES ON WEST COAST CAMPUSES, As students became involved with both international and local issues, they began to call for a relevant education that could address these concerns. However, as Irene Dea expressed, they found a system of higher education that largely excluded students of color from admission and whose courses showed little reflection of their histories and experiences
58. 1976 - The Great Wall of Los Angeles The Great Wall of Los Angeles is one of Los Angeles’ true cultural landmarks and one of the country’s most respected and largest monuments to inter-racial harmony. SPARC’s first public art project and its true signature piece, the Great Wall is a landmark pictorial representation of the history of ethnic peoples of California from prehistoric times to the 1950’s, conceived by SPARC’s artistic director and founder Judith F. Baca. Begun in 1974 and completed over six summers, the Great Wall employed over 400 youth and their families from diverse social and economic backgrounds working with artists, oral historians, ethnologists, scholars, and hundreds of community members.
61. 1960s/1970s Student protesting for Asian Studies classes Students had to keep fighting for Asian American and ethnic studies courses to be offered every year in the early period of the ethnic studies centers.After the TWLF strikes at SF State and UC Berkeley and the creation of the Asian American Studies Center at UCLA, the struggle to establish Asian American studies continued as students sought to develop the curriculum that was relevant to their communities
62. 1969 Portrait of Brown Beret member Hilda Jensen Rodriguez took this portrait of a Chicana demonstrator in the neighborhood of Lincoln Heights in 1969 Hilda’s Jenson’s photos has graced the covers of books, films etc, but often the names of her and her fellow women organizers have often gone unrecognized. In 2003 she wrote to filmmaker Jesús Salvador Treviño who had included her image in his memoir to identify her by name and include her maiden name: Hilda Reyes.
65. 1968 Wilson High School student protester Peter Rodriguez at LAUSD Board of Education meeting Wilson High School student protester Peter Rodriguez at LAUSD Board of Education meeting. Photo by Los Angeles Public Library. In 1967, Mexican American students throughout the Southwest held a 60% high school dropout rate. If they did graduate, they averaged an 8th-grade reading level. Due to Anglo-centric internal school policies many Chicano students were fielded to vocational training or classes for the mentally disabled. Prejudice from teachers and administrators instigated stereotypes of Mexican Americans that discouraged the students from higher learning. These inequalities in education led to the 1968 East Los Angeles Walkouts, also known as the "Blowouts," which displayed the largest mobilization of Chicano youth leaders in Los Angeles history.
66. 1970 Official Resignation of all women in the Brown Berets LA chapter
67. 1970 - Marching for peace-rally through through the streets of Little Tokyo For many young Asian Americans in the 1960s, the War in Vietnam was a brutal and urgent politicization. Watching the war unfold on the nightly news, a common sentiment was that America “killing people who looked like us.” Unlike the mainstream anti-war movement, many Asian Americans saw the Vietnam War as genocidal, or at least imperialist. They placed the war within the larger history of anti-Asian racism in America and imperialist expansion into the Third World. In 1969, Asians Americans for Peace was founded in Los Angeles. Groups like the Thai Binh and Van Troi Brigades (named after Vietnamese freedom fighters) formed to mobilize youth. Meanwhile, Asian Movement for Military Outreach
70. 1967 Police Raid Silverlake's Black Cat "As the Rhythm Queens, a trio of black women, sang a rock version of "Auld Lang Syne," balloons fell from the ceiling and gay men exchanged the traditional midnight kiss. That was when uniformed police, who had been alerted by the undercover officers, rushed in and began to swing billy clubs, tear down leftover Christmas ornaments, break furnishings, and beat men brutally. Sixteen customers and employees were arrested and forced to lie face down on the sidewalk until squad cars came to take them away."- GAY L.A.
71. 1972 JoAnne/Nobuko Miyamoto and Chris Iijima perform at the Third World Storefront organization Art and Communication The Movement marked the first time Asian people collectively owned and created their own images in this country. Culture—musical, visual, written, performed—was a way to exorcise and subvert dominant American narratives. Young artists had to cut against the stereotypes and caricatures they had been fed since youth. Art was “for the people”: and there was little differentiation between it and activism, and it infused the new identity of Asian America with anti-imperialist and multiethnic critiques. Los Angeles became home to the first Asian American films ever made. Community-based and politically-charged, they showed Asian struggles, families, and histories in a way Hollywood never imagined. A plethora of newspapers got out the word. From personal essays to reports on U.S. militarism and Asian communities, the concerns and goals of the Movement took shape in those worn and circulated pages.