Great Wall Institute: The Process of the Great Wall of Los AngelesMain MenuResearch of the DecadesResearch1960s Illustration DevelopmentIllustration DevelopmentPlaylists of the DecadesPlaylistssparcinla.org185fc5b2219f38c7b63f42d87efaf997127ba4fcGreat Wall Institute - Social and Public Art Resource Center (SPARC)
1972 JoAnne/Nobuko Miyamoto and Chris Iijima perform at the Third World Storefront organization
1media/Screen Shot 2022-10-05 at 4.26.41 PM_thumb.png2022-10-05T23:28:25+00:00Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a4911Art and Communication The Movement marked the first time Asian people collectively owned and created their own images in this country. Culture—musical, visual, written, performed—was a way to exorcise and subvert dominant American narratives. Young artists had to cut against the stereotypes and caricatures they had been fed since youth. Art was “for the people”: and there was little differentiation between it and activism, and it infused the new identity of Asian America with anti-imperialist and multiethnic critiques. Los Angeles became home to the first Asian American films ever made. Community-based and politically-charged, they showed Asian struggles, families, and histories in a way Hollywood never imagined. A plethora of newspapers got out the word. From personal essays to reports on U.S. militarism and Asian communities, the concerns and goals of the Movement took shape in those worn and circulated pages.plain2022-10-05T23:28:25+00:001972Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a49