Great Wall Institute: The Process of the Great Wall of Los AngelesMain MenuResearch of the DecadesResearch1960s Illustration DevelopmentIllustration DevelopmentPlaylists of the DecadesPlaylistssparcinla.org185fc5b2219f38c7b63f42d87efaf997127ba4fcGreat Wall Institute - Social and Public Art Resource Center (SPARC)
1974 ASCO First Supper After a Major Riot
1media/Screen Shot 2022-10-14 at 5.52.44 PM_thumb.png2022-10-15T00:54:25+00:00Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a4911The riot referenced in the title occurred nearby in 1971, when the Chicano Moratorium held a peaceful demonstration that degenerated into police brutality. Harry Gamboa Jr.: LA County sheriffs open fired on innocent students and protestors, and wounded and killed many people who were protesting against the war in Vietnam, and were also protesting against police violence, which was followed by a two to three-and-a-half year crackdown on young people gathering on the streets of East Los Angeles. At the time that we shot [First Supper After a Major Riot], we felt that it had been long enough. It was time for it to be extinguished. And so, we declared it to be a celebration. Willie Herrón: At the time of the Moratorium, I was in high school. I remember the procession originating at Belvedere Park, protesting the Vietnam War and all the Chicanos that lost their lives. The police brutality was incredible. It affected me quite a bit and I think it affected all of us. So that's why Whittier Boulevard became such an important street, and a place for us to conduct our performances and connect them to our community and the way society viewed us at the time. Gronk: We decided that it was time that we would take action and actually use the streets once again. We would take over a street or a neighborhood and activate it in some way. Pattsi Valdez: These performances usually happened really quickly. An idea would be sparked and then we'd gather all our stuff and Harry would pick us all up, and we'd put everything in the car, and then we'd zoom off into the city and find the location.I think it was a combination of performance art and protest. For me, it was very important to try to get noticed because I had things to say. I felt like I had to do it in a big way, so that the viewer would pay attention. The look, the make-up: I needed for you to pay attention, because I had a message. Gronk: During the performance, people either honked their horns or cheered us on. But also in the back of our minds…at the time a phone call was ten cents, so we all had ten cents in our pocket just in case we had to make that phone call from jail.plain2022-10-15T00:54:25+00:001974Gina Leonf0ac362b4453e23ee8a94b1a49fbeeafde2a0a49